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《浮夸》是陳奕迅演唱的一首粵語(yǔ)歌曲，由黃偉文作詞，C.Y.Kong作曲、編曲，收錄在陳奕迅2005年6月7日由環(huán)球唱片發(fā)行的粵語(yǔ)專輯《U87》中。該歌曲是陳奕迅的代表作之一。

《浮夸》獲得2005年度CASH金帆音樂(lè)獎(jiǎng)最佳旋律及最佳歌詞獎(jiǎng)。

《浮夸》的曲名原來(lái)叫《Depression》，是香港作曲人江志仁（C.Y.Kong） 2003年4月1日在倫敦聽(tīng)到好友哥哥張國(guó)榮的死訊之后寫(xiě)下來(lái)的，表達(dá)他失去好友的悲痛，聽(tīng)到消息時(shí)的震撼以及對(duì)哥哥選擇離開(kāi)表示不解。后來(lái)Eason出碟選中此曲，曾經(jīng)打算自己填詞，表達(dá)對(duì)哥哥的思念，這也是陳奕迅唯一一次想親自填詞。但最后他還是沒(méi)法寫(xiě)出令自己滿意的歌詞，最終將這個(gè)任務(wù)交給了黃偉文。而黃偉文則把詞里的故事從悼念哥哥，變成了一個(gè)不得志的小人物的吶喊。

《浮夸》這首歌具備了特別簡(jiǎn)單而又容易記得的音樂(lè)元素。使用最簡(jiǎn)單不過(guò)的 Em，D，C三個(gè)和聲，以6/8拍搖滾節(jié)奏推動(dòng)，再加上一個(gè)模仿1928年生產(chǎn)那種Theremin特雷門(mén)琴的音色，旋律本身偶爾用上輕微的古典色彩和一個(gè)復(fù)古的鋼琴和聲，很有70年代英國(guó)Art Rock那種曲風(fēng)。

《浮夸》以小人物的心態(tài)，刻畫(huà)出小人物不被重視，一輩子平凡卻又想不平凡，但卻無(wú)處可以讓自己受到理睬，越辛酸，越難過(guò)，越郁郁不得志，便從委屈到怨恨的形象。黃偉文的詞寫(xiě)一個(gè)人的心態(tài)，寫(xiě)那些充滿著陰郁的場(chǎng)景，處處透著一股邪氣。此曲一出，無(wú)數(shù)人猜測(cè)他究竟想寫(xiě)誰(shuí)。事實(shí)上，《浮夸》這首歌更多的是一種諷刺。是諷刺這個(gè)壓制人的社會(huì)。幸運(yùn)兒并不多，若然未當(dāng)過(guò)，就知他為何。

總的來(lái)說(shuō)，這首歌是非常經(jīng)典的。這首歌的名氣完全配得上歌迷朋友對(duì)它的好評(píng)，而它也確實(shí)在樂(lè)壇獲得了非常廣泛的認(rèn)可。

&34;Fantastic&34; is a Cantonese song sung by Eason Chan. It was written by Huang Weiwen and composed and arranged by C.Y.Kong. It was included in Eason Chan&39;s Cantonese album &34;U87&34; released by Universal Music on June 7, 2005. [1] The song is one of Eason Chan&39;s masterpieces.

&34;Exaggerated&34; won the 2005 CASH Golden Sail Music Awards for Best Melody and Best Lyrics.

The song titled &34;Puffing Up&34; was originally called &34;Depression&34;. It was written by Hong Kong composer Jiang Zhiren (CYKong) on April 1, 2003, after hearing the death of his friend’s brother Leslie Cheung in London, expressing his grief at the loss of his friend and hearing the news. Shi was shocked and puzzled at his brother&39;s choice to leave. Later, Eason selected this song on the disc, and once planned to write the lyrics himself to express his thoughts about his brother. This was the only time Eason Chan wanted to write the lyrics himself. But in the end, he still couldn&39;t write the lyrics to his satisfaction, and finally handed the task to Huang Weiwen. And Huang Weiwen changed the story in the poem from mourning for his elder brother to the cry of an unscrupulous little person.

The song &34;Bag&34; has a particularly simple and easy-to-remember musical element. Using the simplest three harmony of Em, D, and C, driven by a 6/8-beat rock rhythm, plus a tone that imitates the Theremin Tremen produced in 1928, the melody itself is occasionally slightly classical The color and the harmony of a retro piano are very similar to the style of British Art Rock in the 1970s.

With the mentality of a petty person, &34;Puffing up&34; portrays that the little person is not valued, who is ordinary for a lifetime but thinks about the extraordinary, but there is nowhere to let one be cared. The more bitter, the more sad, the more depressed, from grievance to resentment. Image. Huang Weiwen&39;s words describe a person&39;s state of mind, and those scenes full of gloom, with evil spirits everywhere. As soon as this song came out, countless people wondered who he wanted to write. In fact, the song &34;Blame&34; is more of a satire. It is a satire of this oppressive society. There are not many lucky ones, if you haven&39;t been, you know why.

In general, this song is very classic. The reputation of this song is fully worthy of the praise of fans and friends, and it has indeed been widely recognized in the music world.

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